Jazz theory resources: tonal, harmonic, melodic, & rhythmic organization of jazz / Bert Ligon
Material type:
TextPublication details: Milwaukee: Houston Publishing, Inc., 2001Description: 2 vISBN: - 978-0-634-03861-7 (v.1) 978-0-634-03862-4 (v.2)
- 781.57 L726 jaz
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| ORIGINAL | Casa Central | 781.57 L726 jaz v. 2 (Browse shelf(Opens below)) | e.1 | Available | CONSULTA | 005043Y | ||
| MATERIAL DE APOYO | Casa Central | 781.57 L726 jaz v. 2 (Browse shelf(Opens below)) | e. 2 | Available | DOMICILIO | 142529 | ||
| MATERIAL DE APOYO | Casa Central | 781.57 L726 jaz v. 1 (Browse shelf(Opens below)) | e. 2 | Available | DOMICILIO | 142449 | ||
| ORIGINAL | Viña del Mar | 781.57 L726 jaz v.1 (Browse shelf(Opens below)) | e.1v | Available | CONSULTA | 142717 | ||
| MATERIAL DE APOYO | Viña del Mar | 781.57 L726 jaz v. 1 (Browse shelf(Opens below)) | e. 2v | Available | DOMICILIO | 143639 | ||
| MATERIAL DE APOYO | Viña del Mar | 781.57 L726 jaz (Browse shelf(Opens below)) | e. 2v | Available | DOMICILIO | 143640 | ||
| ORIGINAL | Viña del Mar | 781.57 L726 jaz 2.v (Browse shelf(Opens below)) | e.1.v | Available | CONSULTA | 142732 |
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| 781.57 K82 jaz lib 1 Jazz : book 1 | 781.57 K82 jaz lib 1 Jazz : book 1 | 781.57 L726 com Comprehensive technique for jazz musicians / | 781.57 L726 jaz v. 1 Jazz theory resources: tonal, harmonic, melodic, & rhythmic organization of jazz | 781.57 L726 jaz v. 1 Jazz theory resources: tonal, harmonic, melodic, & rhythmic organization of jazz | 781.57 L726 jaz v. 2 Jazz theory resources: tonal, harmonic, melodic, & rhythmic organization of jazz | 781.57 L726 jaz v. 2 Jazz theory resources: tonal, harmonic, melodic, & rhythmic organization of jazz |
V. 1:
I. Review of basic theory materials
II. Rhythm in jazz performance
III. Basic tonal materials
IV. Triadic generalization
V. Diatonic harmony
VI. Harmonisc progressions
VII. Harmonic analysis
VIII. Harmonic substitutions & turnarounds
IX. Hatmonic specifity
X. Common melodic outlines
XI. Harmony: Overview of voicings
XII. Modes & Modal frameworks
XIII. Quartal harmony
XIV. Other scales & colors
XV. Extended tertian structures & triadic superimposition
XVI. Pentatonic applications
XVII. Coloring "outside" the lines & beyond
XVIII. Analysis: The big picture
XIX. Expanding harmonic vocabulary
XX. Coda
Appendix I: Reference for choord/scale relationship
Appendix II: Elaborations of static harmony
Appendix III: Endings
Appendix IV: Composing tips
Appendix V: Theopry applications
V. 2:
I. Review of basic theory materials
II. Rhythm in jazz performance
III. Basic tonal
IV. Triadic generalization
V. Diatonic harmony
VI. Harmonic progressions
VII. Harmonic analysis
VIII. Harmonic substitutions & turnarounds
IX. Harmonic Specifity
X. Common melodic outlines
XI. Harmony: overview of voicings
V. 2
XII. Modes & modal frameworks
XIII- Quartal harmony
XIV. Other scales & colors
XV. Extended tertian structures & triadic superimposition
XVI. Pentatonic applications
XVII. Coloring "outside" the lines & beyond
XVIII. Analysis: The big picture
XIX. Expanding harmonic vocabulary
CC Coda
Appendix I: Reference for chord/scale relationships
Appendix II: Elaborations of static harmony
Appendix III: Endings
Appendix IV: Composing tips
Appendix V: Theory applications
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