Jazz theory resources: tonal, harmonic, melodic, & rhythmic organization of jazz
Ligon, Bert
Jazz theory resources: tonal, harmonic, melodic, & rhythmic organization of jazz / Bert Ligon - Milwaukee: Houston Publishing, Inc., 2001 - 2 v.
V. 1:
I. Review of basic theory materials
II. Rhythm in jazz performance
III. Basic tonal materials
IV. Triadic generalization
V. Diatonic harmony
VI. Harmonisc progressions
VII. Harmonic analysis
VIII. Harmonic substitutions & turnarounds
IX. Hatmonic specifity
X. Common melodic outlines
XI. Harmony: Overview of voicings
XII. Modes & Modal frameworks
XIII. Quartal harmony
XIV. Other scales & colors
XV. Extended tertian structures & triadic superimposition
XVI. Pentatonic applications
XVII. Coloring "outside" the lines & beyond
XVIII. Analysis: The big picture
XIX. Expanding harmonic vocabulary
XX. Coda
Appendix I: Reference for choord/scale relationship
Appendix II: Elaborations of static harmony
Appendix III: Endings
Appendix IV: Composing tips
Appendix V: Theopry applications
V. 2:
I. Review of basic theory materials
II. Rhythm in jazz performance
III. Basic tonal
IV. Triadic generalization
V. Diatonic harmony
VI. Harmonic progressions
VII. Harmonic analysis
VIII. Harmonic substitutions & turnarounds
IX. Harmonic Specifity
X. Common melodic outlines
XI. Harmony: overview of voicings
V. 2
XII. Modes & modal frameworks
XIII- Quartal harmony
XIV. Other scales & colors
XV. Extended tertian structures & triadic superimposition
XVI. Pentatonic applications
XVII. Coloring "outside" the lines & beyond
XVIII. Analysis: The big picture
XIX. Expanding harmonic vocabulary
CC Coda
Appendix I: Reference for chord/scale relationships
Appendix II: Elaborations of static harmony
Appendix III: Endings
Appendix IV: Composing tips
Appendix V: Theory applications
978-0-634-03861-7 (v.1) 978-0-634-03862-4 (v.2)
JAZZ
MUSICA - TEORIA
ANALISIS MUSICAL
781.57 / L726 jaz
Jazz theory resources: tonal, harmonic, melodic, & rhythmic organization of jazz / Bert Ligon - Milwaukee: Houston Publishing, Inc., 2001 - 2 v.
V. 1:
I. Review of basic theory materials
II. Rhythm in jazz performance
III. Basic tonal materials
IV. Triadic generalization
V. Diatonic harmony
VI. Harmonisc progressions
VII. Harmonic analysis
VIII. Harmonic substitutions & turnarounds
IX. Hatmonic specifity
X. Common melodic outlines
XI. Harmony: Overview of voicings
XII. Modes & Modal frameworks
XIII. Quartal harmony
XIV. Other scales & colors
XV. Extended tertian structures & triadic superimposition
XVI. Pentatonic applications
XVII. Coloring "outside" the lines & beyond
XVIII. Analysis: The big picture
XIX. Expanding harmonic vocabulary
XX. Coda
Appendix I: Reference for choord/scale relationship
Appendix II: Elaborations of static harmony
Appendix III: Endings
Appendix IV: Composing tips
Appendix V: Theopry applications
V. 2:
I. Review of basic theory materials
II. Rhythm in jazz performance
III. Basic tonal
IV. Triadic generalization
V. Diatonic harmony
VI. Harmonic progressions
VII. Harmonic analysis
VIII. Harmonic substitutions & turnarounds
IX. Harmonic Specifity
X. Common melodic outlines
XI. Harmony: overview of voicings
V. 2
XII. Modes & modal frameworks
XIII- Quartal harmony
XIV. Other scales & colors
XV. Extended tertian structures & triadic superimposition
XVI. Pentatonic applications
XVII. Coloring "outside" the lines & beyond
XVIII. Analysis: The big picture
XIX. Expanding harmonic vocabulary
CC Coda
Appendix I: Reference for chord/scale relationships
Appendix II: Elaborations of static harmony
Appendix III: Endings
Appendix IV: Composing tips
Appendix V: Theory applications
978-0-634-03861-7 (v.1) 978-0-634-03862-4 (v.2)
JAZZ
MUSICA - TEORIA
ANALISIS MUSICAL
781.57 / L726 jaz