000			01636nam a22002177a 4500
003			EMODERNA
005			20240524132824.0
008			221104b ||||| |||| 00| 0 eng d
020			_a0-19-311915-3
040			_aEMODERNA _cYG
082			_a621.38932 _bB739 sou
100			_94221 _aBorwick, John
245			_aSound recording practice _c/ John Borwick and Association of Professional Recording Studios
250			_a1 ed.
260			_aLondon: _bOxford University Press, _cc1976
300			_a440 p.
520			_aTECHNICAL INTRODUCTION Chapter One The programme chain THE STUDIO Chapter two The acoustics Chapter three The microphone circuits Chapter four The communication circuits THE EQUIPMENT Chapter five Mixing consoles Chapoter six Extra facilities Chapter seven Monitoring systems Chapter eight Magnetic tape Chapter nine Tape machines Chapter ten Mobile control rooms Chapter eleven Equipment alignment Chapter twelve Maintenance TECHNIQUES Chapter thirteen Speech and drama Chapter fourteen Classic music Chapter fifteen Synthesized music Chapter sixteen Location recording Chapter seventeen The róle of the producer Chapter eighteen Popular music Chapter nineteen Popular electronic music MANUFACTURING PROCESSES Chapter twenty Disc cutting Chapter twenty-one Disc manufacture Chapter twenty-two Tape duplicating ALLIED MEDIA Chapter twenty-three Sound broadcasting Chapter twenty-four Television Chapter twenty-five Film Appendices Glossary
650		0	_9384 _aGRABACION Y REPRODUCCION DE SONIDO
710			_94222 _aAssociation of Professional Recording Studios
942			_2ddc _cLIBRO
999			_c8097 _d8097