Borwick, John <br/><br/>
Sound recording practice 
/ John Borwick and Association of Professional Recording Studios 
 - 1 ed. 
 - London:  Oxford University Press,  c1976 
 - 440 p. 
<br/><br/> TECHNICAL INTRODUCTION<br/>Chapter One The programme chain<br/>THE STUDIO<br/>Chapter two The acoustics<br/>Chapter three The microphone circuits<br/>Chapter four The communication circuits<br/>THE EQUIPMENT<br/>Chapter five Mixing consoles<br/>Chapoter six Extra facilities<br/>Chapter seven Monitoring systems<br/>Chapter eight Magnetic tape<br/>Chapter nine Tape machines<br/>Chapter ten Mobile control rooms<br/>Chapter eleven Equipment alignment<br/>Chapter twelve Maintenance<br/>TECHNIQUES<br/>Chapter thirteen Speech and drama<br/>Chapter fourteen Classic music<br/>Chapter fifteen Synthesized music<br/>Chapter sixteen Location recording<br/>Chapter seventeen The róle of the producer<br/>Chapter eighteen Popular music<br/>Chapter nineteen Popular electronic music<br/>MANUFACTURING PROCESSES<br/>Chapter twenty Disc cutting<br/>Chapter twenty-one Disc manufacture<br/>Chapter twenty-two Tape duplicating<br/>ALLIED MEDIA<br/>Chapter twenty-three Sound broadcasting<br/>Chapter twenty-four Television<br/>Chapter twenty-five Film<br/>Appendices<br/>Glossary 
<br/><br/><label>ISBN: </label>0-19-311915-3 
<br/><br/><label>Subjects--Topical Terms: </label><br/>GRABACION Y REPRODUCCION DE SONIDO
<br/><br/><label>Dewey Class. No.: </label>621.38932  / B739 sou