TY  - BOOK
AU  - Ligon, Bert
TI  - Jazz theory resources: : tonal, harmonic, melodic, & rhythmic organization of jazz
SN  - 978-0-634-03861-7 (v.1) 978-0-634-03862-4 (v.2)
U1  - 781.57 
PY  - 2001///
CY  - Milwaukee
PB  - Houston Publishing, Inc.
KW  - JAZZ
KW  - MUSICA - TEORIA
KW  - ANALISIS MUSICAL
N2  - V. 1:
I. Review of basic theory materials
II. Rhythm in jazz performance
III. Basic tonal materials
IV. Triadic generalization
V. Diatonic harmony
VI. Harmonisc progressions
VII. Harmonic analysis
VIII. Harmonic substitutions & turnarounds
IX. Hatmonic specifity
X. Common melodic outlines
XI. Harmony: Overview of voicings
XII. Modes & Modal frameworks
XIII. Quartal harmony
XIV. Other scales & colors
XV. Extended tertian structures & triadic superimposition
XVI. Pentatonic applications
XVII. Coloring "outside" the lines & beyond
XVIII. Analysis: The big picture
XIX. Expanding harmonic vocabulary
XX. Coda
Appendix I: Reference for choord/scale relationship
Appendix II: Elaborations of static harmony
Appendix III: Endings
Appendix IV: Composing tips
Appendix V: Theopry applications
V. 2:
I. Review of basic theory materials
II. Rhythm in jazz performance
III. Basic tonal 
IV. Triadic generalization
V. Diatonic harmony
VI. Harmonic progressions
VII. Harmonic analysis
VIII. Harmonic substitutions & turnarounds
IX. Harmonic Specifity
X. Common melodic outlines
XI. Harmony: overview of voicings
V. 2
XII. Modes & modal frameworks
XIII- Quartal harmony
XIV. Other scales & colors
XV. Extended tertian structures & triadic superimposition
XVI. Pentatonic applications
XVII. Coloring "outside" the lines & beyond
XVIII. Analysis: The big picture
XIX. Expanding harmonic vocabulary
CC Coda
Appendix I: Reference for chord/scale relationships
Appendix II: Elaborations of static harmony
Appendix III: Endings
Appendix IV: Composing tips
Appendix V: Theory applications
ER  -