Jazz theory resources: tonal, harmonic, melodic, & rhythmic organization of jazz
/ Bert Ligon
- Milwaukee: Houston Publishing, Inc., 2001
- 2 v.
V. 1: I. Review of basic theory materials II. Rhythm in jazz performance III. Basic tonal materials IV. Triadic generalization V. Diatonic harmony VI. Harmonisc progressions VII. Harmonic analysis VIII. Harmonic substitutions & turnarounds IX. Hatmonic specifity X. Common melodic outlines XI. Harmony: Overview of voicings XII. Modes & Modal frameworks XIII. Quartal harmony XIV. Other scales & colors XV. Extended tertian structures & triadic superimposition XVI. Pentatonic applications XVII. Coloring "outside" the lines & beyond XVIII. Analysis: The big picture XIX. Expanding harmonic vocabulary XX. Coda Appendix I: Reference for choord/scale relationship Appendix II: Elaborations of static harmony Appendix III: Endings Appendix IV: Composing tips Appendix V: Theopry applications V. 2: I. Review of basic theory materials II. Rhythm in jazz performance III. Basic tonal IV. Triadic generalization V. Diatonic harmony VI. Harmonic progressions VII. Harmonic analysis VIII. Harmonic substitutions & turnarounds IX. Harmonic Specifity X. Common melodic outlines XI. Harmony: overview of voicings V. 2 XII. Modes & modal frameworks XIII- Quartal harmony XIV. Other scales & colors XV. Extended tertian structures & triadic superimposition XVI. Pentatonic applications XVII. Coloring "outside" the lines & beyond XVIII. Analysis: The big picture XIX. Expanding harmonic vocabulary CC Coda Appendix I: Reference for chord/scale relationships Appendix II: Elaborations of static harmony Appendix III: Endings Appendix IV: Composing tips Appendix V: Theory applications