Advanced Harmony: theory and practice
/ Robert W. Ottman
- 4 ed.
- New Jersey: Prentice - Hall 1992
- 412 p.
CHAPTER ONE: Modulation CHAPTER TWO: Diminished triads and seventh chords, including secondary leading tone functions CHAPTER THREE: Modulation withdiminished seventh chords CHAPTER FOUR: Binary and ternary forms CHAPTER FIVE: Application of part-writing procedures to instrumental music CHAPTER SIX: Diatonic sevenbth chords CHAPTER SEVEN: Borrowed chords CHAPTER EIGHT: Augmented sixth chords CHAPTER NINE: Augmented sixth chords: Modulation and other uses CHAPTER TEN: Chords of the ninth, eleventh anf thirteenth CHAPTER ELEVEN: Chords and progressions in special situations CHAPTER TWELVE: The close of the nineteenth century - The beginning of new directions CHAPTER THIRTEEN: Debussy and impressionism CHAPTER FOURTEEN: After Debussy: An introduction to twentieth century music CHAPTER FIFTEEN: Twentieth century music: melody, rhythm and harmony CHAPTER SIXTEEN: Serial composition and later twentieh century practices